01-Intro To Music Student 101
Welcome! Learn about us and our goals in this inaugural episode! Hosts, Matt and Jeremy, discuss our mission, our backgrounds and give a preview of the journey ahead. Though our target audience is the entry level music student, this podcast is intended to assist musicians of all levels on their paths to musical discovery.
02-Theory Basics Part 1: Melody and Harmony
This, our first theory podcast, is elementary but crucial. In this episode, part 1 of a 2 part series, we will have a brief discussion on melody and harmony. We will also touch on scales, intervals and triads. Part 2 will cover rhythm.
Part 2 of 2, in our theory fundamentals series, this episode will cover the elements of rhythm. Learn about note values and their durations. Explore time signatures and how to distinguish simple and compound meter.
03-Theory Basics Part 2: Rhythm
Ear training is an essential part of musical growth. In this episode we will discuss its process and some of our own ideas on how to develop it. We will also cover some great apps, websites and other resources you can use to sharpen your ears.
04-Ear Training Tips
Listen as we dig a little deeper into the major scale. We will also discuss key signatures and how to identify them by using the order of sharps or flats and a few other tricks we picked up along the way. The circle of fifths will make its brief debut as will the concept of diatonic and chromatic steps.
05-Major Scales and Key Signatures
This episode addresses the music student and their study habits. We will focus on how to make the best of your time, both inside and outside the classroom. We will also give you a glimpse inside your professor's head when it comes to your interactions in the classroom environment.
06-Good and Bad Study Habits
In order to play with other musicians, you have to be on the same page as them, rhythmically and tonally. In this episode, we will tackle the rhythmic aspect of music and how to identify what time signature (or meter signature) by using your ears alone. We will also have a little fun discussing some odd time signatures and when and where they have been used, in the classical music genre and in pop music.
07-Odd Time Signatures: Finding The Beat
This episode is all about the minor scale. We will discuss minor key signatures and how to identify them by using the order of sharps or flats and a few other tricks we picked up along the way. We will discuss the circle of fifths, as it applies to the minor keys. Finally, we will discuss the three main types of minor scales: natural, harmonic, and melodic.
08-Minor Scales and Key Signatures
Understanding intervals is an essential part of understanding, analyzing and critically listening to music. In this episode, we will discuss the theory behind intervals. Listen and learn the types of intervals and their rolls. Find out some tips how to identify them by number and by quality (major, minor, augmented or diminished). We will distinguish the difference between simple and compound intervals. This episode, like many theory episodes, will have an ear training counter part in the near future!
09-Intervals, in Theory
Perk up your ears and get ready for more ear training. Being able to hear and identify simple intervals is the gateway to ear training excellence! If you've been through our theory episode on intervals (Ep. 09), you can just sit back, listen and experience the intervals and their characteristics.
The career path of a musician can be a little unclear and equally uncertain. But have no fear! We are here as proof that you can make a comfortable living in the field of music. We will discuss the technical path (stage hands, roadies, live and studio engineers), the education path (private instruction, academia and research) and, of course, the performance path. We will also briefly touch on other special fields such as music therapy and sound design. Be encouraged. Be inspired. Be a musician!
11-Music Career Possibilities
Triads are the building blocks of harmony. In this episode, we will introduce you to the 4 basic triads: major, minor, augmented and diminished. We will discuss the theory behind them, the moods they evoke and the functions they serve.
12-Basic Triads, In Theory
We've already given a good listen to the interval. Let's add one more note to it and hear what the triad sounds like. We will discuss the sonic characteristics of the four basic triads: major, minor, augmented and diminished and their inversions. We will also stack on one more note and talk about the standard basic 7th chords: major major seventh (M7), major minor seventh (Mm7 or the dominant 7th), minor seventh (m7) and even the elusive minor major seventh chord (mM7).
13-Ear Training-Basic Triads
A musical performance should really be all about the music. But there is still a performance element that tends to engage the viewing and listening audience. Let's talk about some pointers on how to enhance your over all show!
14-Being a Performer
When you invert a chord, you rearrange it's pitch order. This can serve several purposes. In this episode, we will cover inversions for triads and seventh chords, how they're built and how to listen for them. We will also cover figured bass, a means of representing them in analysis, and it's origin. We will also share several tips and tricks to help make more sense of this concept.
15-Inversions and Figured Bass
Many great chord progressions, in tonal music, are based on specific sequences of triads and chords that are naturally fulfilling or appealing. These chords often all consist of notes that strictly come from the major or minor scales they are based on. These chords are considered diatonic. When musicians start speaking about chords using numbers instead of letters, this is what they are talking about. Listen and learn more about the diatonic triads and 7th chords from the major and minor scales.
The piano is a complex and beautiful instrument. It's fairly easy to learn, but quite challenging to master. In this episode, we will speak to a man that knows it up and down; Matthew Dutot Slocum. We will discuss where he is, how he got there, and where he's going. Then, it's on to practice routines and philosophies of musicianship. Finally, we will dig deep into the instrument, it's mechanisms, and it's genesis. Every musician should take a moment to get to know the piano.
This is your moment!
17-The Piano (feat. Matthew Dutot Slocum)
Harmonic dictation is an essential part of the music students curriculum. It can be a powerful tool for any musician because it will help to solidify an understanding of harmony and harmonic progression. In this episode, we will give tips and strategies to on how to hear those harmonies and pass that listening exam! This episode will feature the diatonic chords (in major)
I, ii, IV and V.
18-Harmonic Progression Pt.1: I, ii, IV, V
A piece of music is often laid out like a poem or a story. The sentences and paragraphs can be likened to motives and phases. The punctuations and ends of these thoughts can be likened to the cadences. Some ask questions. Some answer the questions. Some give you the answers you expect. Some deceive your expectations. The many available combinations of chord progressions can determine how this all pans out. This episode will cover the six most common types of cadences: perfect authentic, imperfect authentic, half, Phrygian half, deceptive and plagal.
An understanding form and analysis is a great aid in getting to know music better. Like an architect, a composer will structure their music on a foundation of building blocks. It's time to check out the blueprints! In this episode, we will take it from the ground up. We'll start with motives. We'll use them to build phrases and phrases to build periods and phrase groups.
20-Form and Analysis Pt. 1: Building Blocks
There's no better way to get your performance feet wet than playing in a cover band! The material is there. You just have to learn it and execute it properly. The crowd will immediately connect with your music because they already know it! But there's so much more to it. Wouldn't you like to know the fine details? Miguel Martinez is going to give them to you, straight from the drummers seat!
21-Playing In A Cover Band (feat. Miguel Martinez)
One big goal in tonal composition is to have good counterpoint within your harmonies. To do that, we need to learn how to approach part writing in the proper manner. To do that, we must first learn the principles of voice leading and why they are useful, and even essential, to the composition process. In this episode, we will learn the main rules to keep in mind when constructing a melody and then blending it with other melodies. We will discuss parallel and contrary motion between melodies, hidden fifths and octaves. We will dare to discuss the heinous parallel fifths and octaves and how they can obliterate your texture. We will also touch on organum and other contributions to the origin of these conventions. We will observe all of these rules closely from a 4 part, SATB (soprano, alto, tenor, bass) "laboratory environment"!
22-Voice Leading Pt.1
A melodic dictation exam is something you may or may not have to reckon with in your musical journey. Passing this course is essential for a music student working towards a degree. But for anyone, academia aside, these tips and tricks will help you know melody better. We will discuss how to establish your tonal "home base" and how to recognize what parts of the scale are being used in the melodic line. We will also spend a little time talking about solfége (fixed "DO" and movable "DO") and how it compares to the number system that we tend to use in theory and analysis. Get ready to sharpen your sense of melody!
23-Melodic Dictation Pt.1
MIDI is one of the greatest things to happen to music and those who work with it. This music based language allows for the entry and edit of musical notes and their attributes. It also allows for the synchronization and communication between musical instruments, machines and computers. It can be a vital aid in composition and can expedite your musical work flow to a considerable measure. Learn about its origin, its language and its many uses!
25-The Circle of Fifths
When writing a song or a piece of music, it's good to know how certain chords and harmonies work together. An understanding of the circle of fifths can make this fairly simple. In this episode we will follow the circle all the way through and hit every chord on the way. It's time to apply a level of understanding to something that seems like a magical musical diagram at first glance. Perk up your ears and step inside the circle!
The bass has a special effect on the listener. The frequencies in the lower register can often be felt just as much as they are heard. The bass can tell us more about harmonic progression and it can also tie the rhythm and melody sections together. Join us, along with Aaron Branson, as we talk all about that bass!
26-The Bass (feat. Aaron Branson)
We've learned about the major and minor scales. Now it's time to explore the 7 Diatonic Modes: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian. We will learn how to construct them and identify them using the "relative" and the "parallel" methods. We will also give them a listen, check out some examples and discuss what moods they convey and how they effect us.
Some times you will encounter notes that don't belong to the chords they are sounding over. These notes are just what they sound like, nonchord tones! In this episode, we will discover the main types of nonchord tones: the passing tone, the neighbor tone, the escape tone, the appoggiatura, the suspension, the anticipation, the retardation and the pedal tone.
Just in case we haven't said everything we need to say about intervals, it's time we said a little more! We will have a quick recap on the basic intervals followed by an extended discussion on other interval related topics. We will discuss compound intervals (and the recognition thereof), enharmonic naming, harmonic tendencies and much more.
30-Stuff You See On A Score
You may be familiar with notes, key signatures and meter signatures. But, there's a lot more happening on a music score. Various markings, such as crescendo, forte, fortissimo and pianissimo, can tell a musician how hard or soft to play. While other expressions, such as adagio, andante and presto, will tell them how fast or slow to play. Get ready to brush up on your Italian and learn all about dynamic, performance and tempo markings.
Continuing where Episode 18 left off, this episode will feature the diatonic chords I, II7, IV and V7 (in major and minor). Listen for those chord qualities (major, minor, dominant 7th and minor 7th) and use your theory brain to find out how to decipher chord progressions. Use this skill to learn songs faster and know music better!
31-Harmonic Progression Pt.2 (I, II7, IV, V7)
We've given the 7th chords a good listen. Now it's time to discuss the theory behind them and some of the conventions to consider while using them in part writing. This episode will focus on the ii7 and the V7 chords as well as their inversions. It's time to add a little spice to your chord progressions!
32-7th Chords Pt.1 (II7, V7)
In the beginning, before written history, our ancestors left artifacts and paintings that gave us clues as to how they once lived. This being a few million years ago, one can only speculate on how or why they began to experiment with sound and eventually music!
33-The Dawn of Music
Counterpoint, the art of combining two or more independent melodic lines, is a practice that has been around for hundreds of years. However, not a lot of musicians are familiar with the term. In this episode, part 1 of 2, we will discuss it's origins, it's usefulness and the many rules that revolve around it's process. We will build a cantus firmus, based on these rules. We will also learn what a cantus firmus is! Finally, we will tease part 2 of this series with a brief discussion of species counterpoint.
Continuing our discussion from episode 34-Counterpoint Pt.1, we will now discuss species counterpoint. We have already built our cantus firmus. Now, we will add a voice, using first species counterpoint. We will then take a stab at second species counterpoint. The challenge awaits! Do join us.
35-Counterpoint Pt. 2
In the school of music, we have the "Jury". This terrifying moment occurs at the end of the semester when the student must display their progress, on their instrument, in front of a panel of professors. During this brief moment, a number of "fight or flight' symptoms can manifest in the student. In the practical world, any musician (or anyone in the spotlight) may encounter this phenomenon. Welcome to stage fright! Let's try to understand it better and discuss some possible ways to manage it.
36-The Jury (Stage Fright)
Continuing our discussion from episode 35-Counterpoint Pt.2, it's time to tackle 3rd and 4th species counterpoint! We have already built our cantus firmus and tried it out with 1st and 2nd species counterpoint. Our trilogy now comes to a satisfying end with melodies that coexist and commingle, all the while, maintaining their independence!
Pentatonic scales are five note scales that span the length of an octave. Major and minor scales, along with their respective modes, are all considered "heptatonic" or "seven note" scales. These scales also have five note subsets that are easier to learn and recognize. They are also more universally used across the globe. In this episode, we will discuss the major and minor pentatonic scales of the west and several others from the east, including the Hirojoshi, Mongolian, Iwato and Yo scales.
Continuing where episode 31 left off, this episode will cover the previously discussed chords: I, II7, IV and V7 (in major and minor) and their inversions. We now add the VII and it's inversions. Listen for the chord qualities (major, minor, dominant 7th, minor 7th and diminished) and use your theory brain to find out how to decipher chord progressions. Use this skill to learn songs faster and know music better!
39-Harmonic Progression Pt. 3 (VII)
As we near the end of the theory 101 sequence, we decided to dedicate a couple of episodes to the purpose of reviewing all of the topics we've covered up to this point. Part 1 covered episodes 1-19. This episode, part 2 of "The Big Recap", will cover episodes 20-39. We humbly thank you all for your support and for the community we are building. Help us celebrate our 40th episode by enjoying these two episodes!
41-The Big Recap Pt. 2
40-The Big Recap Pt. 1
As we near the end of the theory 101 sequence, we decided to dedicate a couple of episodes to the purpose of reviewing all of the topics we've covered up to this point. This episode, part 1, will cover episodes 1-19. Part 2 will cover episodes 20-39. We humbly thank you all for your support and for the community we are building. Help us celebrate our 40th episode by enjoying this episode!
The guitar is an extraordinarily expressive and versatile instrument. From it's roots in 15th Century Spain to it's current prominence in jazz, rock, pop, folk, funk and blues (to name just a few genres), there is much to be said about the guitar. We're going to say as much as we can in one episode with our good friend Carlos Pino. Get ready for some great sounds because he brought his guitar! Get ready for another great episode because he really brought his "A" game!
42-The Guitar (feat. Carlos Pino)
Continuing where episode 39 left off, this episode will review the previously discussed chords: I, II7, IV, V7 and VII (in major and minor) and their inversions. We will now add the III (the mediant) and VI (the submediant). Listen for the chord qualities (major, minor, dominant 7th, minor 7th and diminished) and use your theory brain to find out how to decipher chord progressions. Use this skill to learn songs faster and know music better!
43-Harmonic Progression Pt.4 (III, VI)
Transposition, the act of changing a piece of music to a different key or mode, can be one of the most useful tools any musician can have in their kit. In this episode, we will discuss diatonic and chromatic transposition, as well as when and why we use them. We will also have a discussion on transposing instruments, instruments that sound out different notes then what is written on paper. It's time to change it up a bit! It's time for transposition!
Join us as we venture toward chromaticism with this discussion of secondary dominants. We will talk about how these chords can be used in the tonicization of chords other than the tonic, with their dominant function. In this episode, we will focus on the V of V (V/V) and the V of IV (V/IV).
45-Secondary Dominants Pt.1 (V/V, V/IV)
The overtone series is alive and well in every note you hear. Within the vibrations of tone, or a note, there are other smaller vibrations that are occurring. We will start with the fundamental and look deeper into the overtones, or harmonics, that occur and at which order they appear. We will also discuss timbre and other things that are influenced by and, likewise, influence certain overtones.
46-The Overtone Series
Song writing is different for everybody. Sometimes we can be inspired by the experiences of others. We will talk all about it with our friend and colleague, Colin Soniat. We'll dig deep into his musical background and find out how his songwriting has evolved alongside. Hear some great original music examples and enjoy an in depth, yet light-hearted, discussion on creating something from within!
47-Songwriting (feat. Colin Soniat)
What exactly is sight reading? What is the difference between reading music and sight reading music? What are some factors that contribute to good sight reading? How can I improve my sight reading skills? Good questions, all!
We shall address them all in this episode!
Join us, as we continue to venture toward the coming mountain of chromaticism. We will approach the foothills as we resume our discussion of secondary dominants. We will talk about how these chords can be used in the tonicization of chords other than the tonic, with their dominant function. In this episode, we will focus on the V of ii (V/ii),
V of vi (V/vi) and the V of iii (V/iii).
49-Secondary Dominants Pt. 2 (V/ii, V/vi, V/iii)
MUSIC STUDENT 101